So I’m reading Fifty Shades of Grey because my best friend says it’s the greatest book she’s ever read. I don’t know. Before Fifty, she’d been reading mainly and young adult books, so maybe she’s set the bar really low. Not that I don’t enjoy YA books myself, but I wouldn’t exactly use them as a basis for a “best-ever” classification.
Anyway, to summarize this masterpiece of litrachur:
Apparently perfect – supernaturally hot, ridonculously rich, exquisitely well-mannered – man meets an insecure girl, just graduating from college. Turns out, the man is kinkier than Don King’s hair, and the girl, well the girl is a virgin who is swept of her feet by this powerful man who takes an interest in her. Along the way, she learns to deal with his overwhelmingly controlling nature and agrees to become his contract-bound submissive sex toy.
All that is established in less than a hundred pages out of five hundred fourteen. The last six pages contain a kind of denouement where … well, you might not have read it yet. Suffice it to say that the last six pages end the first book and set you up for the second – Fifty Shades Darker.
So, from page ninety-seven all the way to five-o-nine, all you really get is one sex scene after another. Normally, I wouldn’t complain. I love erotica. But E.L. James’ brand of slut is just cringe-inducing. It’s not that it’s exceptionally dirty or pervy – would that it were – but that it was completely hobbled by bad writing. Terrible writing, in fact.
“I don’t make love. I fuck… hard.”
What the, err, fuck, right? The writing stumbles along like that for more than four hundred pages. At times, I could’ve sworn that the Red Room of Pain’s best torture instrument should have been the book itself.
“I want you sore, baby,” he murmurs, and he continues his sweet, leisurely torment, backward, forward. “Every time you move tomorrow, I want you to be reminded that I’ve been here. Only me. You are mine.”
Now basically, this is the kind of fuck talk that only comes up in the imagination of someone who has never been talked dirty to for real. It’s articulate, descriptive, and to be very honest about it, requires the kind of mental concentration that just won’t exist if you’re truly being fucked … hard. And maybe that’s where the allure of Fifty Shades of Grey lies.
Fifty Shades is dirty sex without the dirt. Pure orgasmic bliss, devoid of squeaking bed springs, uncomfortable wet spots on the sheets, and the sense of emptiness that comes crashing down on you once you’ve regained your senses and all you have is a cold, soft, and slimy cock sneaking out of your cunt. The novel enfolds Ana Steele – and by extension, the reader – into this nearly perfect cocoon that she pays for only with mutually agreed upon debasement. Better yet, this dysfunctional fantasy world provides an almost fool proof termination clause. Now who wouldn’t like that?
The key to reading Fifty Shades, I’ve discovered, is not to approach it expecting to find good erotica. You won’t. At best, you’ll find pre-Stoya porn. And if you don’t know who Stoya is, maybe it’s best that you do stick to Fifty Shades.
Neither should you crack the pages thinking that you’ll be treated to the kind of incisive psychological tour into the dynamics of a Dom-Sub relationship. You won’t find that either. The characters are barely fleshed out, their relationships are two-dimensional, and the situations they find themselves in are as real world as the Jersey Shore. Even their e-mails test your suspension of disbelief. I mean, really, in an exchange of emails, who bothers to change the Subject line?
Instead, ease into it with an open mind, devoid of all the stylistic preferences and maturity you’ve accumulated over the years. Fifty Shades of Grey, for all that it pretends to be sophisticated, is really just a sugary romance that depicts a world where men, women, and their relationships are uncomplicated. Men like power over things and girls, and girls like things and powerful men. It is a respite from the real world where sex is never free, and no one has the luxury of being young and stupid anymore.